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Stuck in a Dress, Green Glasses Powered on Dreams |
When my sister and I hit our early teens, we formed an underground band. You probably haven't heard of us because we were that cool. Or that obscure, but you get it. We dubbed ourselves Licorice Snap, an electronica-infused, spoken word phenomenon that was bound to blow the minds of our then emo, pre-hipster audiences.
Every spare afternoon, we headed into the recording studio to lay down some sweet tracks. It was the start of a new millennium, hot on the heels of Ricky Martin and MTV Total Request Live. YouTube and widespread recreational music programs were a mere sparkle in the eyes of their future creators.
At the time, Licorice Snap had a new sound. Eva cranked out sweet electronica beats and I rocked the spoken word. We even had a handheld dictionary called Franklin (which, incidentally, you could play hangman on too) that would talk in a Stephen Hawking-like voice. We programmed (fine, manually typed in; this was before smart phones!) our background vocalist to say "Lambs Love School" for our house remix of
Mary Had a Little Lamb.
Our songs were about loving yourself like the fabulous queen you were or aspired to be.
Miss America (I Wanna Be) should have been a number 1 hit. We should have been on the cover of "Rolling Stone" playfully giving everyone the finger or using said finger to rage on a keytar.
Alas, our unabashed ode to peace, love, and fierceness was too ahead of its time.
No one heard our music because we didn't know where to play it or who would listen to it. How would we even lug our sweet sound machine, a desktop computer in our parents' house, to a gig? Our studio
was our parents' house. Pretty soon, we unceremoniously lost the music-making program when the computer went out of commission. The dream seemed to die. I clutched our EP, emblazoned with Eva's color pencil cover art, to my chest like
my Christina Aguilera drag queen cookie held her sugar dough baby.
With the looming
Amendment One vote to ban gay marriage and benefits for unmarried or domestic partners in North Carolina, up for vote on May 8, we can't afford to
keep our fabulous soundtrack of hope locked in the archives.
Licorice Snap's opus,
Powered on Dreams,
says that anything and everything is possible. The imagery of a flying
car that puffs purple exhaust describes a utopia that will overcome bigotry,
homophobia, and racism if we just believe in ourselves. And yes the song is kitschy, because it's our right to be tongue-in-cheek with a message. Politician Harvey Milk understood that balance of theatrics and politics. When he was running as the first openly gay member of the San
Francisco Board of Supervisors in the late 1970s, he said, "You gotta give 'em
hope."
If
Powered on Dreams inspires you to go out and be fabulous, or more fabulous than you already are, then Licorice Snap's ten-year hiatus was well worth the wait.